CFPR – Artist Residency

By |2022-12-15T22:54:12+00:00December 15th, 2022|Artwork, Projects, publication|

Earlier this year I was delighted to be awarded a research residency at CFPR. The artist in residence programme presents a truly exciting opportunity for collaboration and the enrichment of the CFPR’s research activities. Artists and designers will make a body of work that contributes [...]

Paths of Resistance – Impact 12

By |2022-12-19T11:10:17+00:00September 14th, 2022|Artwork, Projects|

Paths of Resistance is a site-specific installation which speaks directly to the imperceptible energies, which inform our human experiences.  Continuing from my project Porosity and residency Ephemeral Bodies, this installation considers energies lying hidden, the invisible shaping the visible. 20 meters of screenprinted fabric map [...]

Impact 12 – The Printmakers Voice.

By |2022-09-14T15:38:55+00:00September 14th, 2022|Projects, publication|

The Centre for Print Research UWE, will be hosting IMPACT 12 multidisciplinary printmaking conference, The Printmakers’ Voice, 21-25 September 2022. I am delighted to be one of this years Keynote speakers sharing my recent projects and research as we discuss the post-pandemic voice. Letters to [...]

Porosity – Publication

By |2022-05-18T05:35:51+00:00May 18th, 2022|Projects, publication|

This new publication has been produced to document the research and development of this two year project. Written contributions by Professor Penny Florence and Anna Souter bring together unique critical and poetic responses to the new works. Online version available to view –  https://issuu.com/tracyhill2/docs/high-res_single_pages [...]

Ephemeral Bodies. Artist Residency AirSpace Gallery

By |2022-04-18T16:30:41+00:00April 18th, 2022|Artwork, Projects|

I am delighted to have begun my artist residency this week at AirSpace Gallery in Stoke. ‘matter resolves itself into numberless vibrations, all linked together in uninterrupted continuity, all bound up with each other, and traveling in every direction like shivers’ (Bergson, 1990:208) I [...]